Thursday, 13 May 2010
Thursday, 6 May 2010
Wednesday, 5 May 2010
Editing Log
We have also sorted out several sequences that were cut too quickly, making it seem faster pace which potentially could've broken the suspenseful atmosphere. The title sequences were added in, along with our Company logo "PreRendered Productions".
Music Composition for Video

Wednesday, 31 March 2010
17/3/10 Editing Log
After looking back on the second shooting, we realised the lighting wasn't correct to portray the femme fatale as her lips are covered in shadow. So we have planned to re-shoot parts of the second scene with the correct lighting.
Wednesday, 24 March 2010
Film Log 11/3/10
Wednesday, 10 March 2010
Film Log 10/3/09
Our group filmed the first section of the video, where the antagonist is climbing up to disclosed location through gantries and dark scenery. The desired shots we used were extreme long shots to create distance from the character which in turn creates a tension and mystery for the audience. We also used a variety of aerial shots to give the impression that the antagonist is being watched or spied on to create the atmosphere of that the antagonist is potentially running from something.
Sunday, 7 March 2010
Saturday, 6 March 2010
As most of the people our group asked didn't know many of the neo-noir films we presented, we decided to alter the questions to suit Sin City, which most poeple had heard of and watched.
Monday, 1 March 2010
Saturday, 27 February 2010
Double Indemnity opening sequence analysis
Analysis begins at 1:07 and ends at 6:30 minutes
The scene opens with an establishing shot of a black and white city, with a tense, fast paced piece of music. The audience is introduced to several elements of Film Noir, the typical American city that most Film Noir movies are based in and the orchestral, big band music playing. The music helps the audience learn what period of time the film is set in, typically around the 1940s.The black and white colour correction placed over the video helps the audience identify this is of the Film Noir genre.
In the long shot of the man exiting his car, he is shown wearing a trench coat and a fedora hat. This also suits the conventions of the Film Noir genre, as the protagonist/antagonist are often sharply dressed, showing superiority or authority. This is reinforced by next variety of shots as the audience isn't shown a clea view of the character in questions face, this creates a mysterious atmosphere around the character in which the lighting of the scene contributes. As he walks into his office, he is cast out of the light and is kept in darkness, strengthening the tense atmosphere. Later on in the sequence, he begins to talk on a phone leaving an answering message, it takes on a narrative feel, something commonly found in Film Noir. In this sequence, there are multiple conventions present from the start, making it a prime example for classic Film Noir.
Tuesday, 23 February 2010
The scene opens with a long shot of a ladder on the rooftop of a building, while three men scale the ladder. The first man is dressed in unconventional clothing for a film noir movie as he is wearing casual clothing, while the second is wearing a police officers uniform, this is common in Film noir as most film noir films are based around the theme of crime. The third man is dressed much more conventionally for a film noir move as he is wearing an overcoat and a fedora, commonly found in film noir.
The next shot is an extreme long shot panning to the left, following the three men, this shot shows us the setting of the film, in a busy and possibly American city. This has been current throughout all other film noir analyses I have done. Also the music heard is orchestrated and of the big band genre, another commonly found convention in Film Noir. Later, as the third man giving chase slips and is left hanging on the rooftop, the police officer lends him a hand. There is a high angle shot of the man hanging, this exaggerates the lack of power or authority he has in the sequence. The Officer goes to help the man in danger, this is quite uncommon for Film Noir as it shows a moral action by one of the characters, Film Noir usually tends to have darker or grittier plot lines, this is reinforced when the Police Officer falls off the building and falls to his death.
Saturday, 6 February 2010
Sin City opening sequence analysis

As the scene opens, you immediately hear the jazz esque soundtrack and the sight of the black and white colour correction. These are immediate features of the film noir genre and instantly sets the scene for the audience. When the opening shot is revealed, the setting is on what seems to be a typical American city, this is another element of film noir, by taking place in often New York resembling cities.As the scene continues we hear the voice of one of the character narrating the scene, another key element of film noir. The narrative suggests that the character has the power or the superior presence in the scene.
Further through, there are several shots of the woman's lips, which always remain in the lighting, this follows the film noir genre as it creates an almost romantic atmosphere to the scene. Although, there are certain features to the scene that don't always follow the film noir genre, such as certain colours being shown on particular item, such as the red dress. Usually, film noir is filmed using total black and white colour correction. Also at 1:49 minutes into the clip, the picture transforms into a comic drawing of the scene. Something unfound in film noir. There are several over the shoulder shots of the woman in the scene, often using a descending tilt camera movement, this exaggerates her vulnerability in the scene compared the other character, known as the 'Salesman'. As the woman embraces the 'Salesman' we hear the sound of the gunshot which ends the woman's life, this presents the audience with a challenge of what the 'Salesman' has done is right or wrong, this is one more key Film Noir, the small distance between right and wrong, presenting a lack of moral balance within characters.



